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 HOME  ../gallery_/home.html
|   EXHIBITIONS   ../exhibitions/current.html
|   PUBLICATIONS ../publications/p-01.html
|   NEWS & LINKS../news-n-links/n-01.html
|    CONTACT../contact/c-1.html

ARTIST BIO

Art Hazelwood calls himself an artist, impresario and instigator.  He has put together artists’ retrospectives, organized nationwide political art shows, and curated several museum exhibitions including the traveling show, Hobos to Street People: Artists’ Responses to Homelessness from the New Deal to the Present.  He also curated a history of the relief print in Northern California at St. Mary’s College Art Museum in Moraga, California in 2009, and a show on the political art of the 1930s, at the de Saisset Museum at Santa Clara University in 2012.

Hazelwood worked with William Wolff over the last eight years of his life as his archivist, and curator.  He has organized several exhibitions of Wolff’s work including the 2002 retrospective at St. Mary’s College Art Museum, Masquerade and Revelation: A William Wolff Retrospective, curated with Julie Armistead.

Hazelwood’s artwork ranges from screenprint posters to fine press artist books and public art projects. His prints are in several collections including the Whitney Museum of American Art, the Library of Congress and regularly appear in homeless activist street papers including the Street Sheet and Street Spirit.  He has been a project based guest artist in Katya McCulloch’s print class at San Quentin State Prison since 2008.  He currently teaches printmaking at the San Francisco Art Institute.


“WORKING TOGETHER” STATEMENT

I worked with William Wolff (1922-2004) over the last eight years of his life as his archivist, curator and friend.  Delving into his work so deeply had a profound influence on my own work.  There are four major ways Wolff’s prints have influenced me – the cutting technique of his woodcuts, his use of color, his boldness of expression and his use of literary themes.

In this exhibition ArtZone 461 Gallery director Steven Lopez and I selected works that not only show Wolff’s influences but also presents his work in a new light.  One surprising example is seen by contrasting Wolff’s Apocalyptic and Christ imagery with my disaster capitalism subject matter.  This contrast provides a political background to Wolff’s work which was always inherent in his work but is here brought into starker relief – a place where satire and Apocalypse are seen to have much in common.


SELECTED SOLO EXHIBITIONS

2014    William F Wolff & Art Hazelwood: Working Together, ArtZone 461, San Francisco

2009    Art Hazelwood - Artist, Instigator, Impresario, INFERNO Gallery, Oakland

2008    We’re All Outside the Green Zone, Front Gallery, Oakland, CA

2007    Pillars of Society, Galeria Zapatista, Mission Cultural Center, Mission Grafica, SF

2006    Hubris Corpulentus, Plymouth State University Lamson Library, Plymouth, NH

            Hubris Corpulentus - Prints Art Hazelwood, University of Rhode Island, Library Gallery, Kingston RI

2005    Cyrano and the Four Humors – Literary Prints of Art Hazelwood, Collectors Gallery, Oakland, CA

2004    Hubris Corpulentus, Mitchell Place Gallery, Muncie, IN

            Hubris Corpulentus, Meridian Gallery, San Francisco, CA

2003    Requiem For Dionysos, San Francisco Online Arts, San Francisco, CA

2001    Handmade Books of Prints, Collectors Gallery, Oakland Museum, CA

2000    Millennial Parade, paintings and prints, Canton Gallery, Baltimore, MD

            Walking up and down in Asia, 60 woodcut prints, Fetterly Gallery, Vallejo, CA

1998    Woodcuts and Linocuts, Fetterly Gallery, Vallejo, CA, two person show

1995    Collectors Gallery, Oakland Museum, Oakland, CA, two person show

1992    World City, Amerika Haus, Vienna, Austria. Presented by the USIS

            Bilder Einer Reiser, Galerie Casetta, Munich, Germany

1990    Landscapes of Asia and America, Gallery Hasegawa, Tokyo, Japan


SELECTED SPECIAL PROJECTS

08-13   Member of the art collective - The Great Tortilla Conspiracy with Jos Sances, Rene and Rio Yanez.

2013    Mobile Arts Platform - MAP, at Yerba Buena Center for the Arts, guest artist Art Hazelwood,

            design of interactive poster printed at the event.

            Al-Mutanabbi Street international artist book response to bombing of bookseller street in Baghdad.

            Save our Post Office, posters in collaboration with Jos Sances to fight against the destruction

            of the US Postal Service.

2012    Culture Strike! Poster project organized by Culture Strike and Favianna Rodriguez on

            Black Friday Walmart Strike, and on the Fiscal Cliff

            Immigration Now!, portfolio, organized by Favianna Rodriguez and JustSeeds, linocut print

            Steamroller Smackdown, organizer Jeanne Lorenz, steamroller printing Dixon County Fair,

            two 3 foot square linocuts one alone and one with Katya McCulloch’s linocut class at San Quentin.

            Occuprint Portfolio, one poster contributed to this portfolio of 30. Printed four posters in the portfolio.

2010    Windows and Mirrors, Reflections on the War in Afghanistan, traveling show of

            45 portable murals, one piece created with Juan Fuentes.

            Sponsored by the American Friends Service Committee.

2009    Public art commission, ceramic tile mural, Arnett Watson – Justice and Struggle, for the

            Arnett Watson Apartments, San Francisco, Eddy Street, created with Jos Sances.

06-08   Roadworks, Center for the Book, San Francisco. Three years. 2008) With Katya McCulloch

            and inmates from San Quentin’s Arts in Corrections program. 2007) Artists of

            Eastside Editions. 2006) alone.  We created a three foot square linocut print printed by steamroller. 

2007    Guest Editor of the California Society of Printmakers’ journal The California Printmaker,

            the theme of the issue “Prints in all the wrong places”

05-14  Ongoing work as the “Minister of Culture” for the Western Regional Advocacy Project WRAP,

            creating art about housing, for education, and protests, and organizing other artists to participate.

01-06   Guest artist creating a three large scale books of prints at Eastside Editions,

            Sonoma, and San Francisco, CA

01-04   Etching printer at Eastside Editions, fine art print studio, Sonoma, CA

1999    Design and execution of an outdoor acrylic paint mural, Modern Muses and the Arts,

            110’x 5 1/2’ Fetterly Gallery, Vallejo, CA


SELECTED GROUP EXHIBITIONS

2014    Working Together, Art Hazelwood & William Wolff, ArtZone 461 Gallery, San Francisco, CA

2013    New Prints/New Narratives: Summer 2013, International Print Center New York, NY,

            juror, Andrew Raftery

            Building a Collection: Highlights and Recent Acquisitions from the Saint Mary’s College

            Museum of Art, (Gargantua in the Vineyards), Moraga, CA

            Text Out of Context, Marymount Manhattan College, Hewitt Gallery of Art, New York, NY,

            Curated by Maddy Rosenberg and Hallie Cohen

            36th Annual Art on Paper, Katherine Blood, juror, Maryland Federation of Art,

            Circle Gallery,  Annapolis, MD (Juror’s Choice Award)

            Issues - Social, Political, Gender, Janet Turner Print Museum, Chico State University.

            Reflexiones/Reflections, Juan Fuentes, Gloria Morales, Gato, Art Hazelwood,

            Puerto Alegre, San Francisco, curated by Calixto Robles

            The Seventh Annual Invitational Exhibition, Graton Gallery, Graton, CA

2012    Art of Democracy: 2012, The Sacred Gallery, New York, NY, Juror Marshall Arisman

            The Art of Politics, Gulf Coast State College Amelia Center Gallery, Panama City, Florida

            Visual Politics, Santa Cruz Art League, juror Maureen Davidson.

            Un/Natural Occurrences, Central Booking, Brooklyn, NY

            Splintering Humanity: Religious Extremism in Defiance of a Global Community,

            featuring: Guy Colwell, Tatiana Garmendia, Richard Godinez, Art Hazelwood, Susan Kraft,

            Roberta Loach, Harry Powers, Jos Sances, Brian Taylor, Triton Museum of Art, Santa Clara, CA

            Agents of Change: Artists As Activists, Sonoma State University Library Gallery,

            The Guerrilla Girls, Art Hazelwood, Betty Nobue Kano, Doug Minkler, Michelle Wilson, OccuPrint

            Inked Surfaces, Diablo Valley College National Juried Exhibition of Prints, Archana Horsting, juror.

            Streetopia, Luggage Store Gallery, curated by Erick Lyke, Chris Johanson and Kal Spelletich

            (The Great Tortilla Conspiracy)

            The New York Society Of Etchers, 2nd National Exhibition Of Intaglio Prints,

            The National Arts Club, NY, NY, Juror David Kiehl

            Perdiendo la Cuenta, Losing Count, artists responses to the Drug War. Curated by Luis

            Pinedo, Galerie de la Raza, San Francisco, Zacatecas, Mexico and touring.

2011    Light/Dark, Berkeley Art Center, California Society of Printmakers, juror: Enrique Chagoya

            Rebound: A Survey of Contemporary California Book Art, Sonoma Valley Museum of Art,

            curator Simon Blattner

2010    Boston Printmakers 2011 North American Print Biennial, Danforth Museum of Art,

            Framingham, MA, juror: Jim Dine

            Reflections: The Human Condition: An exhibition of works on paper. Artists' impressions of

            ourselves. The Annex Galleries, Santa Rosa

            Grafica California, Rufino Tamayo Taller, Oaxaca, Mexico, with Juan Fuentes,

            Calixto Robles, Alexandra Blum, and Gloria Morales.

            Between the Covers: Artists’ Books, Portfolios, The Janet Turner Print Museum, CSU,

            Philagrafika 2010 – The Graphic Unconscious, The Print Center, Philadelphia

            Prints Byte; The Cutting Edge of Printmaking, SoMarts Cultural Center, San Francisco.

            Panel Discussion: Politics and History of Printmaking – Art Hazelwood, Robert Flynn Johnson,

            Steve Lopez, Don Farnsworth

2009    Statewide Drawing and Print Competition & Exhibition, Triton Museum, Santa Clara, CA,

            juror Roberta Loach, Best Print in Show and Honorable Mention awards

2008    Dia de los Muertos, Day of the Dead 2008, Muerte Sin Fronteras / Death Without Borders,

            altar constructed in memory of slain artist Casper Banjo by Art Hazelwood and Juan Fuentes

            Pressing Matters in Printmaking, Southern Highland Craft Guild, Asheville NC

            Janet Turner National Print Competition Exhibition, Cal State University Chico

2007    New Prints 2007/Fall, International Print Center New York

            81st Annual International Competition: Printmaking!, The Print Center, Philadelphia, PA,

            juror, Shelley Langdale

            Bound by Tradition: The Influence of Historical Bindings on Artists' Books, Sterling Library,

            Art of the Book Collection, Yale University

            Ink & Clay 33, Cal Poly Pomona, Kellogg University Gallery, CA

2006    Printmaking Currents 2006, Print Arts Northwest, Pacific Northwest Art College.

            Juror Sam Davidson, catalog.

            The Art of Persuasion, The National Arts Club, NY, NY, Juror Marilyn Kushner,

            Presented by the New York Society of Etchers. Traveling

            Beyond the Likeness: Self-Portraits by California Artists, Triton Museum of Art, Santa Clara, CA

            Janet Turner National Print Competition Exhibition, Cal State University Chico, Chico, CA

            juried (Merit Award)

ART HAZELWOOD

ARTIST WORKShazelwood-1_.html
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ARTIST BIO